Lucyna Zwolińska's path as a choreographer is marked by a diverse array of experiences, collaborations, and artistic accomplishments. Her work is renowned for its exploration of human energy, where she draws inspiration from the powerful yet delicate interplay of forces. According to critics, Zwolińska's choreography showcases a unique blend of strength and vulnerability, portraying a captivating dynamic that transcends gender. 

Her choreographic path began with DROGA, selected for the 26th International Choreographic Competition Hannover. The piece, along with subsequent recognition such as the 2nd Jury Prize and Audience Award at the 8th International Choreography Competition Ludwigshafen and Tanzmesse NRW, marked an early step in her international artistic practice.

Her works have since been presented in Germany ( a.o. Stuttgart Ballet, Saarländisches Staatstheater, Theater Vorpommern, Theater Trier), Italy, Japan and Ireland. In 2021/22 she was appointed Ballet Director at The Castel Opera in Szczecin, a step that allowed her to bring her choreographic vision to her homeland. 

Continuing her artistic journey, Zwolińska has developed independent projects such as reflexio, SAND, Horizont, DEKAdance highlighting her dedication to pushing artistic boundaries and exploring new forms of expression. Her collaborations with musicians, sound artists, video artists, and actors exemplify her innovative spirit and dedication to interdisciplinary creation. 

Zwolińska’s own path as a dancer began at the Ballet School in Bytom, Poland, followed by studies at the Hochschule für Musik und Darstellende Kunst in Frankfurt am Main. During her training she joined The Forsythe Company as a guest artist. Collaborations with renowned choreographers, including William Forsythe, Itzik Galili, Johan Inger, Susanne Linke, Urs Dietrich, Stijn Celis, Marguerite Donlon shaped her artistic development. She went on to dance with Ballet Augsburg, Saarländisches Staatsballett and the Susanne Linke Company before transitioning into her own choreographic path. 

Looking ahead, Zwolińska continues to expand her artistic reach through diverse choreographic and interdisciplinary projects. In 2024 she created Fluchtpunkte for Theater Vorpommern in Greifswald, commissioned on the occasion of Caspar David Friedrich’s 250th birthday. She also maintains a regular artistic collaboration with the Hochschule für Musik und Darstellende Kunst Frankfurt am Main.

Recent works include ÜberMensch, featuring sound artist Kathrin Lambert, and Edgework, which premiered at the Saarländisches Staatstheater, furthering her exploration of the dialogue between body, sound, and contemporary themes. Her next production will be shown at the Travers Festival, created in collaboration with Swiss composer and digital artist Milian Mori.